Description
AmbroxanTM
AmbroxanTM emulates its various amber, dry woody and mineral facets. It is a kind of super-potent woody note with a lingering sillage that adds a modern sensuality to any kind of composition.
Cedar from Virginia
This is the typical smell that comes out when you sharpen a pencil: woody, dry, slightly spicy and creamy. This North American cedar, also called red cedar because of the color of its wood, belongs to the juniper family, Juniperus Virginiana. Several types of cedars are used in perfumery, but this one comes into play in the heart and base, which gives a kind of verticality to its woody theme.
Safran
The most expensive spice in the world, nicknamed “red gold” – natural saffron is not used in perfumery because it contains safrol, a highly allergenic compound. But its effect is reproduced with one of its derivatives, saffronal. Its very powerful perfume is bitter and slightly metallic, blowing hot and cold on the rest of the composition with also a leathery, tarred facet. Francis Kurkdjian likes to use it in the top layer of a fragrance to break the sweetness of citrus notes. It is often associated with Oud-based perfumes and oriental amber accords.
Cashmeran
Cashmeran is a synthetic note that combines a dry and musky cedar facet with a warm cocooning effect close to musk, at once resinous and slightly powdery, leathery. Mingled with other woods, it intensifies the fragrance’s sillage.
Jasmine from Egypt
Known by its Latin name as jasminum grandiflorum, the jasmine used in perfumery is surprisingly potent and multi-faceted, ranging from orangey-floral, solar, fruity (banana, strawberry, apricot), to animalic and spicy. Jasmine has an astonishingly complex structure for such a fragile flower that needs to be harvested very early in the morning before the sun spoils its fragrance.
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